contact – weston teruya

westonteruya

seen in LA, part II 1. Jet Pascua, An End and Begi

seen in LA 1. IkkibawiKrr collective, Seaweed Stor

Glad @relatedtactics could contribute to @southernexposuresf’s 50th anniversary celebration with the installation of Ready (2021) as part of “A leaf a gourd a shell a net a bag a sling a sack a bottle a pot a box a container”on view through Nov 16th.
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Ready features contributions from Pablo Andres Cristi (@pablo.cristi.studio), Al-An deSouza (@adesouza64), Katie Dorame (@katiedorame), Michelle Kuen Suet Fung (@michelleksfung), Caroline Garcia (@_garciagram), Ghana Think Tank (Maria del Carmen Montoya, Christopher Robbins, John Ewing - @ghanathinktank), Sonia Guiñansaca (@thesoniag), Taraneh Hemami (@taranehhemami), Sara Jamshidi (@_sarajamshidi_), Nanea Lum (@nanealum), Nicole Marroquin (@nmarroq), Tuan Andrew Nguyen (@tuan.andrew.nguyen), Gina Osterloh (#ginaosterloh), Related Tactics, Roberto Sifuentes (@rsifuentes), Tosha Stimage (#toshastimage), Christine Wong Yap (@christinewongyap), and select audience contributions from a 2019 exhibition with the Berkeley Art Center (@berkeleyartcenter).
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The overarching exhibition also features work by @erinacalejo & #WilliamCollins (slide3); #EnriqueChagoya (slide 4) & @kara_maria_art; @pablo_tut (slide 5); #Futurefarmers & #ShaunOdell with #CatLauigan, #MattBrownell, #HendlMirra, #YasiPereira, & @venvoisey (slide 6); and @marcelpardoa & @juliandlopera (slide 7)

Deinstalled @relatedtactics’s Who Else But Americans from @icasanjose, but happy to bring it right over to @millsartmuseum for the upcoming Reshaping the Narrative: California Perspectives exhibition. Here’s a preview of it in this new configuration where it’ll be on view amidst some great work from MCAM’s collection by Hung Liu, Rupert Garcia, Craig Calderwood, Yolanda Lopez, Betty Kano, David Huffman, Yétundé Olagbaju, and many others. The exhibition, curated by @stephaniehanor runs Sept 14th-Nov24th, so here’s another chance to check out WEBA if you missed seeing it in San Jose.
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I was also happy to see a couple of my drawings that will be part of the exhibition and that I haven’t seen in years. They were reflections on the Means of Exchange (25th & Telegraph) installation that I did for the inaugural A+P+I residency at Mills in 2015. I’m so happy that they have been cared for by MCAM over these years and can be shared in this new context, including next to a more recent RT project.
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#individualandcollectivepractice #whoelsebutamericans #worksonpaper #millscollegeartmuseum #reshapingthenarrative #oakland

A couple @relatedtactics field trips: a peek at the sfmoma exhibition design studio thanks to the awesome Sarah Choi (facilitated by @mia_nakano_oakland) and a stop by the P L A C E: Reckonings by Asian American Artists exhibition at @icasanjose where we ran into @jamesgleventhal and @adesouza64!
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And if you didn’t already know: @michelekcarlson will be moderating a panel at the closing symposium for PLACE this coming Sunday at @montalvoarts featuring @aleesapalexander and @christinaayson. There will also be great panels organized by @zentronix and @christinewongyap! Registration on Montalvo’s site.
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#miniatureartworks #exhibitiondesign #placereckoningsbyasianamericanartists

Tomorrow/Saturday, check out the opening of Trust

A peek at a new @relatedtactics project, Nourishin

My new installation, The last muffled breaths of t

I’m happy to have contributed a catalog essay fo

work in progress for an exhibition in April. 🔉

2023. home in moving parts // the best studio assi

A few pieces of Katerina Teaiwa’s Project Banaba

Thank you to @salmonleeann for sharing these poste

🍉🪁

A mix of #otherpeoplesart in Los Angeles: 1). #Gua

Los Angeles folks! I’ll be down south in a coupl

So glad to have had time with the rest of @related

Looking forward to the conversation tonight with t $Looking forward to the conversation tonight with the rest of @relatedtactics x @cherylderricottestudio @pearldick and @emilymleach for the Connected by Glass hybrid discussion that kicks off the opening of Disclosure: The Whiteness of Glass at the @corningmuseum. . Thank you to @risepeacock @landis.tami @katfred1 for shepherding this exhibition and being generous hosts. ✨ The museum’s install team are rockstars and I’m still jazzed about the conversation we got to have with Olivia and the rest of the education team. ✨ And a special shout out to @susiesilbert for being our first advocate in building this work. ✨ . 1) The struggle for people of color to identify legacies of other artists of color fractured and hidden by white supremacy (re-imagined), Related Tactics with Cheryl Derricotte and Pearl Dick, part of Disclosure; 2) exhibition catalogue designed by @morcoskey; 3) detail of Navigating the institution while being simultaneously invisible and hypervisible(re-imagined), Related Tactics with Emily Leach and Raya Friday, part of Disclosure; 4) detail of The shape of living as a perceived threat (re-imagined), Related Tactics with Einar & Jamex De la Torre and Helen Lee, part of Disclosure; 5) foreground - Temporary approaches to change exhaust resources and erode trust (re-imagined), Related Tactics with Corey Pemberton and Kim Thomas, part of Disclosure; @2natewatson talking with @landis.tami in background$

Next week @relatedtactics will be in Corning, NY f $Next week @relatedtactics will be in Corning, NY for the opening of our exhibition, Disclosure: the Whiteness of Glass at the @corningmuseum (on view from November through March). The installation will open to the public with a hybrid panel discussion on Nov 9th with @michelekcarlson, @2natewatson, & me, along with contributing project artists @cherylderricotte, @pearldick, and @emilymleach (who will be moderating)—registration link in bio. Looking forward to also getting to see the the limited run catalogue produced by the museum, designed by @morcoskey, that brings together the different layers of the process behind the project. . We also recently produced a piece, In Our World We Are Whole, for “A Two-Way Mirror: Double Consciousness in Contemporary Glass by Black Artists” at the @museumofglass in Tacoma (on view through Oct 27, 2024), curated by @jabari_o_b. The project builds from recent projects like Disclosure that examine equity in the glass field and move toward creating a space between artists of color. . images: 1. detail of ephemera by @rayafriday from Navigating the institution while being simultaneously invisible and hypervisible(re-imagined), by Related Tactics with Emily Leach and Raya Friday, part of Disclosure, photo courtesy of the Corning Museum of Glass; 2. installation detail of exhibition at the @centerforcraft of Surviving as the anomaly created by white supremacy(re-imagined), by Related Tactics with Ché Rhodes and Vanessa German, part of Disclosure, photo courtesy of Jordan Whitten and the Center for Craft; 3. installation detail from exhibition at the Center for Craft of The struggle for people of color to identify legacies of other artists of color fractured and hidden by white supremacy (re-imagined), by Related Tactics with Cheryl Derricotte and Pearl Dick, part of Disclosure; 4. draft review pages from forthcoming catalogue; 5. installation detail of In Our World We Are Whole at the Museum of Glass, Tacoma, photo by Nate Watson #relatedtactics #michelecarlson #westonteruya #natewatson #pocartistcollective$

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