The final print catalog for the exhibition, Reflecting on Ruth Asawa & The Garden of Remembrance, that took place at the SFSU Fine Arts Gallery this past spring has been released. The calalog includes Resuscitating Memories in the Body, my essay about the artwork of Mark Baugh-Sasaki, Tina Kashiwagi, Paul
In early October, Related Tactics (Michele Carlson, Weston Teruya, & Nate Watson) travelled to Milwaukee for Material Practice, a convening organized by the great team at Ruth Foundation for the Arts. During our time with the rest of the grantees, we offered a workshop considering “what if collectivity were material?”
I’m happy to have a piece in the new artists’ postcard set curated and produced by MUZ Collective. You can order a set by DMing them via Instagram (linked). Proceeds go toward Oakland People’s Breakfast and Hotels Not Graves. The full set, printed by Colpa Press, features work by 29
Yerba Buena Center for the Arts’ Zine just published my essay, Where Shall We Go From Here? reflecting on home and memory through my research into the visual language and history of the Ward development in Honolulu. The piece builds on the work that I did for expansion (land.water.sky) last
The exhibition catalogue for In Plain Sight, the current show at the Mills College Art Museum, is now available online as a .pdf or website. I’m excited and honored that author Anne Lesley Selcer wrote an essay about my work for the publication. Thank you also to In Plain Sight
Related Tactics‘s (Michele Carlson, Nathan Watson, and myself) project, Shelf Life, has been gaining some recent momentum: Press: Sarah Rose Sharp wrote about the project for Hyperallergic: Politicize Your Bookshelf with Colorful, Codified Stickers And Stacey Eidson dove deep into our visit to Augusta University in the school’s online magazine